supported by 4 fans who also own “N¡gh†m∆res ∆nd 8Ø8s Presents: Scary Music To Play In The Dark Vol. I”
Не знаю, насколько с чисто технической стороны это витч-хаус, но по ощущениям альбом отличается от всего, что мной когда-либо было найдено в этом жанре. Как минимум тем, что вызывает ассоциации он не с оккультными или хоррор-элементами, не с какой-либо мистикой, а с единственной вещью, что в тёмном, киберпанковом будущем будет освещать твоё одиночество - неоном, рисующим заполненными им же трущобами прекрасные в своей чудовищности картины. Погружающим в отчаянье и в той же степени вдохновляющим. ailes grises
supported by 4 fans who also own “N¡gh†m∆res ∆nd 8Ø8s Presents: Scary Music To Play In The Dark Vol. I”
Absolutely stunning. As someone new to this kind of thing, stumbling across this artist via Entity was a pleasant surprise, but discovering this after digging further blew me away.
supported by 4 fans who also own “N¡gh†m∆res ∆nd 8Ø8s Presents: Scary Music To Play In The Dark Vol. I”
Following up on Volume 1, V2 is more mature and more confident in experimenting with the sound even further. Sample-heavy, atmospheric yet powerful, it's just as entertaining as its prequel. FLESH MECHANIC
An instrumental queer space opera from Portland synthwave artist Amie Waters, who uses a universal mythos to illustrate a personal journey. Bandcamp New & Notable Jul 14, 2020
supported by 4 fans who also own “N¡gh†m∆res ∆nd 8Ø8s Presents: Scary Music To Play In The Dark Vol. I”
These early recordings contain a lot of diverse material, with influences in trance, rave, horrorsynth and darksynth. Sometimes it does form the witch house staple S&S is known for, but this is mostly a different side of this project, and I quite honestly love it as much as I do the other one. FLESH MECHANIC